Whether a teenager dancing in Michael Flatley’s Lord Of The Dance in Vegas, a member of conceptual mid-00s pop band The Pipettes, or touring schools and clubs as a “Kwik Save Kylie”, Gwenno Saunders has never not wholeheartedly thrown herself into what’s in front of her. For the last 10 years though, she’s found her true voice as an artist popularising often psychedelic music in both the Welsh and Cornish language. Her forthcoming, forth solo album, Utopia, is her first to predominantly feature lyrics in English, and includes lessons learnt in desert and in London’s mid-00s indie scene.
I visited Gwenno at her studio in Cardiff this week to discuss her chaotic 20s and to convince her to do Eurovision.
Further links and videos:
My first interview with Gwenno from 2015
